I prefer an arena with flagrant color used with abandon. Each work is begun with a simple design that usually involves one or more forms in an environment. These are either organic forms or imagined land masses. With each decision, I tend to create layers of complexity with tension being the ultimate goal. My methods allow me free rein with the context of my imagery. I choose to play with the ambiguity between land masses as seen from a great height and structures seen through a microscope.